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The King's Speech (Original title)
Dates: 2010 (Copyright), 07 January 2011 (Release)

Countries: United Kingdom, Australia

Directed by: Tom Hooper

Synopsis: Historical drama about the relationship between King George VI and the Australian speech therapist who treated his stammer.

Genre:
Historical drama

Subjects:
Stammering, Speech therapy, George VI (1895-1952), Elizabeth, Queen Consort to George VI (1900-2002), Radio, World War II
Releases
Date: 26 November 2010Country: USARelease type: TheatricalFormat: 35mm Film - Colour - DeLuxe - Sound - Dolby DigitalRuntime: 118 mins Length: 3246 MetresDialogue (original): English
Date: 07 January 2011Country: United KingdomRelease type: TheatricalFormat: 35mm Film - Colour - DeLuxe - Sound - Dolby Digital / SDDS / DTS (sound)Runtime: 118 mins Length: 10650 FeetDialogue (original): EnglishDistributor: Momentum Pictures
Date: March 2015Country: United KingdomRelease type: InternetFormat: not specified - Colour - SoundRuntime: 118 mins Dialogue (original): EnglishDistributor: BFIPlayer

Credits (212)
©: UK Film Council, Speaking Film Productions Ltd, a See-Saw Films/Bedlam production: See-Saw Films, Bedlam Productions, Presents: The Weinstein Company, UK Film Council, In association with: Momentum Pictures, In association with: Aegis Film Fund, In association with: Molinare London, FilmNation Entertainment, Made with the support of: National Lottery through UK Film Council's Development Fund, With the support of: UK Film Council Premiere Fund, International Sales Agent: FilmNation Entertainment, Executive Producer: Geoffrey Rush, Executive Producer: Tim Smith, Executive Producer: Paul Brett, Executive Producer: Mark Foligno, Executive Producer: Harvey Weinstein, Bob Weinstein, Co-executive Producer: Deepak Sikka, Co-executive Producer: Lisbeth Savill, Phil Hope, Produced by: Iain Canning, Produced by: Emile Sherman, Gareth Unwin, Co-producer: Peter Heslop, Simon Egan, Line Producer: Peter Heslop, Associate Producer: Charles Dorfman, Production Executive (UK): Katherine Bridle, Production Executive (AUS): Simone Nicholson, Legal and Business Affairs: Barry Sechos, Accountant: Helen Wong, Company Accountant: Lisa Jones, Commercial Manager: Elizabeth Blackledge, Office Executive: Anna Brazinova, Production Accountant: Isabel Chick, Head of Administration: Clare Kennedy, Director of Film Finance: Anne Sheehan, Commercial Director: James Swarbrick, Senior Vice President, Production and Development: Ben Famiglietti, Senior Vice President, Business Affairs & Acquisitions: Michal Podall Steinberg, President: Charles Layton, President of International Distribution: Xavier Marchand, SVP of Acquisitions, Worldwide: Robert Walak, Director of Legal & Business Affairs, Europe: Spyro Markesinis, Head of Premiere Fund: Sally Caplan, Head of Business Affairs: Will Evans, Head of Production Finance: Vince Holden, Head of Production: Fiona Morham, Director: Steve Milne, Film Executive: Michael McMahon, Initially developed with (Wild Thyme Productions): Joan Lane, Developed and supported by (RPTA): Richard Price, Developed with: Buckland Productions, Charles Dorfman, Production Manager: Erica Bensly, Production Co-ordinator: Fiona Garland, Production Accountant: Marilyn Goldsworthy, Post-production Accountant: Peter Eardley, Unit Manager: Dave Bell, Location Manager: Jamie Lengyel, David Broder, Assistant Location Manager: Rebecca Davis, Tom Asquith, Location Scout: Camilla Stephenson, Location Assistant: Lindsey Powell, Paul Tomlinson, Post-production Supervisor: Emma Zee, Post-production Co-ordinator: Siobhan Boyes, 1st Assistant Director: Martin Harrison, Guy Heeley, 2nd Assistant Director: Chris Stoaling, Crowd 2nd Assistant Director: Charlie Reed, 3rd Assistant Director: Heidi Gower, 3rd Assistant Director: Tom Brewster, 3rd Assistant Director: Andy Mannion, Liam Lock, Crowd Assistant Director: Charlie Waller, Script Supervisor: Cathy Doubleday, Casting Director: Nina Gold, Casting Assistant: Kharmel Cochrane, Screenplay by: David Seidler, Director of Photography: Danny Cohen, 2nd Unit Director of Photography: Martin Kenzie, A Camera Operator: Zac Nicholson, B Camera Operator: Danny Cohen, Steadicam Operator: Zac Nicholson, A Camera Focus Puller: Peter Byrne, Focus Puller: Shaun Cobley, Focus Puller: David Cozens, Focus Puller: Oliver Loncraine, Focus Puller: Nathan Mann, Ben Wilson, B Camera Focus Puller: Leigh Gold, A Camera Clapper Loader: Abigail Catto, B Camera Clapper Loader: Max Glickman, Clapper/Loader: Dave Churchyard, Chloē Thomson, Gaffer: Paul McGeachan, A Camera Grip: Alex Mott, B Camera Grip: Simon Fogg, Grip: Jody Knight, Grip: Dean Morris, Gary Hutchings, Video Playback Operator: Lizzie Kelly, Video Playback Operator: Martyn Culpan, Guy McCormack, Stills Photographer: Laurie Sparham, Visual Effects by: London Molinare, VFX Supervisor/Producer: Tom Horton, VFX Line Producer: Fawnda Denham, VFX Production Co-ordinator: Duncan Holland, Head of Production: Sal Urmeji, On-set VFX Supervisor: Philip Attfield, Additional On-set VFX Supervision: Neil Cunningham, VFX Editor: Collette Nunes, Special Effects Supervisor: Mark Holt, Special Effects Floor Supervisor: Jamie Weguelin, Special Effects Senior Technician: Patrick O'Sullivan, Film Editor: Tariq Anwar, On-line Editor: Connan McStay, VFX Editor: Tony Trompetto, Production Designer: Eve Stewart, Supervising Art Director: David Hindle, Art Director: Leon McCarthy, Standby Art Director: Netty Chapman, Art Department Co-ordinator: Julia Castle, Set Decorator: Judy Farr, Graphic Designer: Amy Merry, Storyboard Artist: Douglas Ingram, Production Buyer: Corina Floyd, Prop Master: Bruce Bigg, Construction Manager: Alan Chesters, Costume Designer: Jenny Beavan, Assistant Costume Designer: Alison Beard, Sally Turner, Costume Supervisor: Marco Scotti, Make-up and Hair Designer: Frances Hannon, Hair & Make-up Artist: Nana Fischer, Hair & Make-up Artist: Carmel Jackson, Hair & Make-up Artist: Christine Whitney, Hair & Make-up Artist: Paul Gooch, Hair & Make-up Artist: Sharon O'Brien, Hair & Make-up Artist: Helen Barrett, Hair & Make-up Artist: Cathy Burczak, Hair & Make-up Artist: Karen Cohen, Hair & Make-up Artist: Sarah Grispo, Hair & Make-up Artist: Maureen Hetherington, Hair & Make-up Artist: Lisa Pickering, Loulia Sheppard, For Pixion - CG Supervisor: Viral Thakkar, Colourist: Gareth Spensley, Film Stock: FujiFilm Motion Picture Film Limited, Colour by: DeLuxe, Composer: Alexandre Desplat, Music Composed and Conducted by: Alexandre Desplat, Piano Solo: Dave Arch, Violin Solos: Tom Bowes, Source Music Performed by: The London Symphony Orchestra, Soloist: Steve Osborne, Andrew Marriner, Leader: Carmine Lauri, Orchestra Leader: Tom Bowes, Source Music Conducted by: Terry Davies, Music Orchestrated by: Jean-Pascal Beintus, Alexandre Desplat, Music Supervisor: Maggie Rodford, Score Co-ordinator for Composer: Xavier Forcioli, Supervising Music Editor: Gerard McCann, Music Editor: Peter Clarke, Score Recorded and Mixed by: Pete Cobbin, Source Music Recorded and Mixed by: Andrew Dudman, Score Orchestra Contractor: Isobel Griffiths, Score Music Preparation: Jill Streeter, Choreographer: Scarlett Mackmin, Production Sound Mixer: John Midgley, Sound Mixer: Martin Seeley, Sound Maintenance: Mike Reardon, Re-recording Mixer: Paul Hamblin, Additional Re-recording Mixer: Martin Jensen, Supervising Sound Editor: Lee Walpole, Dialogue Editor: Andre Schmidt, Matt Skelding, Sound Effects Editor: Catherine Hodgson, Jim Goddard, ADR & Assistant Re-recording Mixer: Forbes Noonan, ADR (Australia): Melbourne Sound Firm, ADR (London): London Pepper, ADR (New York): NYC Sound One, ADR (Hawaii): Kauai Audio Images, Foley Artist: Peter Burgis, Andi Derrick, Foley Recordist: Catherine Thomas, Foley Editor: Catherine Thomas, Logue Family Consultant: Mark Logue, Historical Adviser: Hugo Vickers, Military & Ceremonial Adviser: Alastair Bruce, Military Adviser: Edwin Field, Dialect Coach: Neil Swain, Armourer: Bapty and Co, Animal Handlers: Animals O'Kay Limited, Horse Handlers: Atkinson Action Horses, The Devil's Horsemen, Public Relations: DDA Public Relations Ltd, Unit Publicist: Emma Davie, EPK [Electronic Press Kit]: Special Treats, Camera Equipment: Take 2 Films Limited, Lighting Equipment: Arri Lighting Rental Limited, Digital Intermediate by: London Molinare, Made at: Elstree Studios
Cast (35)
Colin Firth ('Albert', King George VI), Geoffrey Rush (Lionel Logue), Helena Bonham Carter (Queen Elizabeth), Guy Pearce ('David', King Edward VIII), Timothy Spall (Winston Churchill), Derek Jacobi (Archbishop Cosmo Lang), Jennifer Ehle (Myrtle Logue), Anthony Andrews (Stanley Baldwin), Claire Bloom (Queen Mary), Eve Best (Wallis Simpson), Michael Gambon (King George V), Robert Portal (Equerry), Richard Dixon (private secretary), Paul Trussell (chauffeur), Adrian Scarborough (BBC radio announcer), Andrew Havill (Robert Wood), Charles Armstrong (BBC technician), Roger Hammond (Dr Blandine-Bentham), Calum Gittins (Laurie Logue), Dominic Applewhite (Valentine Logue), Ben Wimsett (Anthony Logue), Freya Wilson (Princess Elizabeth), Ramona Marquez (Princess Margaret), David Bamber (theatre director), Jake Hathaway (Willie), Patrick Ryecart (Lord Wigram), Teresa Gallagher (nurse), Simon Chandler (Lord Dawson), Orlando Wells (Duke of Kent), Tim Downie (Duke of Gloucester), Dick Ward (butler), John Albasiny (footman), Danny Emes (boy in Regent's Park), John Warnaby (steward), Roger Parrott (Neville Chamberlain)